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	<title>trombone poetry</title>
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	<description>word music</description>
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		<title>chronicle: April 2012</title>
		<link>http://trombonepoetry.com/chronicle-april-2012/</link>
		<comments>http://trombonepoetry.com/chronicle-april-2012/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 23:41:26 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Chronicle]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=651</guid>
		<description><![CDATA[The ART Pack descended on/into a posh Italian cellar to bring the arts of noise to Clerkenwell. In the mix was the howling poetry of Grassy Noel, with Graham MacKeachan plucking surprises from his double bass while Mike Walter harassed a minute drum kit or cranked up his tenor sax. Paul Shearsmith pierced the tumult [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://trombonepoetry.com/wp-content/ape1.jpg"><img src="http://trombonepoetry.com/wp-content/ape1-300x194.jpg" alt="APE" title="APE" width="300" height="194" class="alignright size-medium wp-image-653" /></a><a href="http://trombonepoetry.com/events/bands/the-art-pack/">The ART Pack</a> descended on/into a posh Italian cellar to bring the arts of noise to Clerkenwell. In the mix was the howling poetry of Grassy Noel, with Graham MacKeachan plucking surprises from his double bass while Mike Walter harassed a minute drum kit or cranked up his tenor sax. Paul Shearsmith pierced the tumult with pocket trumpet and the <strong>clang</strong> of fire extinguishers long past their quell-by date. New, even topical, writings were unveiled by trombone poetry, such as <em><a href="http://trombonepoetry.com/critique-of-pure-verbiage/">Critique of Pure Verbiage</a></em>, a disentangling of art theory. A couple of outbreaks of tuneful folk music were furnished by <a href="http://trombonepoetry.com/events/bands/rum/">ruM</a>.</p>
<p>At The Queen Zed, singers sang to ice-bucket percussion, while punters sipped Sansom&#8217;s beer under an eleven-foot missile dangling from the ceiling. In between pints, one of the regulars <strong>nipped</strong> up and down a stepladder in front of the entrance doors, to poke at the fire alarm, adding a circus edge to the evening. Adding vexed barking every time there was applause, was a small but feisty dog, who patrolled the pub until retiring upstairs to bed at about 9:00. Trombone poetry offered a new foundling poem, <em>Probably Not</em>, and a piece called <em>I Remember Doing Jazz Gigs Down The Road In The Plough Back In The Old Days</em>. Later on, a man with a poodle arrived, just in time for a spoken word diatribe against Government policy that was momentarily accompanied by another open-miker absent-mindedly tooting a mouth organ. Twenty minutes later, a man with a dachshund arrived, as a singer lurched into karaoke mode. At first, peering at the stage, the hound stuck his nose up. When he spotted the poodle, though, he decided to help the song along. Fun for all the family, at The Dog &#038; Stepladder.</p>
<p><a href="http://trombonepoetry.com/events/bands/jerico-orchestra/">The Jerico Orchestra</a> projected its improvisations at projected slides for the denizens of The George Tavern. An over-refreshed bar-fly, slightly less articulate and sociable than that dachshund, grumbled at the <strong>candle-lit</strong> trombone poetry offering, to no avail. Fun for all the family, at The Drunk &#038; Slide Projector.</p>
<p>The teasingly-named Keen/Osgerby Trio lured trombone poetry to Leytonstone for a joint gig at Luna Lounge. This is a band well worth seeking out, even beyond Leytonstone cellars. The Lounge is worth a visit too, one wall being covered with LP <strong>sleeves</strong>, from Scott Joplin to Donna Summer, which may not be unusual, apart from the fact that they still contain the records. Whether this applies to the ones peeling from the ceiling is unknown, but a vinyl frisbee beheading could deter punters. Fun for all the family, at The Duck &#038; Guillotine.</p>
<hr />
Wednesday 2 May	21:00</p>
<p>trombone poetry</p>
<p><a href="http://www.sandinos.com">SANDINOS</a></p>
<p>Water Street<br />
Derry<br />
BT48 6BQ</p>
<p>free admission</p>
<hr />
Monday 21 May		20:00</p>
<p>trombone poetry + open mic</p>
<p><a href="http://aspoonfulofpoison.com">A SPOONFUL OF POISON</a></p>
<p>The Stag’s Head<br />
55 Orsman Road<br />
Hoxton<br />
London<br />
N1 5RA</p>
<p>free admission</p>
<hr />
Tuesday 29 May	20:00</p>
<p>trombone poetry + sundry turns</p>
<p><a href="http://www.freedomexpression.co.uk">FREEDOM OF EXPRESSION</a></p>
<p>The Green Dragon<br />
58-60 High Street<br />
Croydon<br />
CR0 1NA</p>
<p>free admission</p>
<hr />
Wednesday 30 May	20:00</p>
<p>trombone poetry + even more sundry turns</p>
<p><a href="http://www.thecambrialondon.com">THE CAMBRIA</a></p>
<p>40 Kemerton Road<br />
London<br />
SE5 9AR</p>
<hr />
Thursday 31 May	13:00</p>
<p>trombone poetry + <a href="http://www.tamarastein.co.uk">Tamara Stein</a></p>
<p>FITZROY SQUARE</p>
<p>London<br />
W1T</p>
<hr />
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		<title>critique of pure verbiage</title>
		<link>http://trombonepoetry.com/critique-of-pure-verbiage/</link>
		<comments>http://trombonepoetry.com/critique-of-pure-verbiage/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 11:14:29 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=629</guid>
		<description><![CDATA[Art galleries are obvious sources of inspiration, and Tate Modern is hard to beat. The poem below will only make sense (if then) after visiting this page: Tate Modern April 2012 CRITIQUE OF PURE VERBIAGE (or, Tating the epistemology) they say that they explore counter-hegemonic transnational networks global voices and cartographic practices that map the [...]]]></description>
			<content:encoded><![CDATA[<p>Art galleries are obvious sources of inspiration, and Tate Modern is hard to beat. The poem below will only make sense (if then) after visiting this page: <a href="http://www.tate.org.uk/whats-on/tate-modern/talks-and-lectures/spaces-transformation-epistemologies-south" target="_blank">Tate Modern April 2012</a></p>
<hr />
CRITIQUE OF PURE VERBIAGE<br />
(or, Tating the epistemology)</p>
<p>they say that<br />
they explore counter-hegemonic<br />
transnational networks<br />
global voices<br />
and cartographic practices<br />
that map the abyssal line<br />
between epistemologies<br />
of the North and the South</p>
<p>they say that<br />
Northern epistemologies<br />
draw abyssal lines<br />
between zones of being<br />
and zones of non-being</p>
<p>they don&#8217;t say<br />
what&#8217;s in the abyss</p>
<p>they don&#8217;t seem sure<br />
whether the abyssal lines<br />
are there to be mapped<br />
or are just being drawn</p>
<p>they say that<br />
Northern epistemologies<br />
are committing epistemicide</p>
<p>they don&#8217;t say<br />
whether this is achieved<br />
by bundling<br />
laid-back<br />
Southern epistemologies<br />
into the abyss</p>
<p>they say that<br />
Northern epistemologies<br />
are wasting social experience<br />
on a massive scale</p>
<p>as they peer<br />
into the abyss<br />
do they contemplate the blackness<br />
of pots and kettles?</p>
<p>they say that<br />
mapping the lines<br />
is a search for absent beings</p>
<p>they don&#8217;t say<br />
how these will be found<br />
if they&#8217;re not present</p>
<p>they say that<br />
knowing otherwise<br />
is also being otherwise</p>
<p>they know better<br />
than to say that</p>
<p>they say that<br />
they discuss knowledge<br />
between the imagination and the imaginary</p>
<p>imagine that</p>
<p>they say that<br />
democracy which functions<br />
in linear time<br />
is illiterate</p>
<p>they recommend<br />
knowing and being<br />
in a post-abyssal way</p>
<p>this may be<br />
how things are<br />
after you have jumped<br />
over an abyssal line</p>
<p>this may be<br />
illiterate</p>
<p>this may be<br />
abysmal</p>
<p>they say that<br />
the understanding of the world<br />
by far exceeds<br />
the Western understanding of the world</p>
<p>they don&#8217;t say that<br />
the misunderstanding of the world<br />
by far exceeds<br />
even this</p>
<p>they say that<br />
they shift stagnation<br />
in the folds of the soul</p>
<p>they say that</p>
<p>they say that<br />
through poetics/analytics<br />
they mobilise affect</p>
<p>me too.</p>
<p>&nbsp;</p>
<p>© Paul Taylor 2012</p>
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		<title>chronicle: March 2012</title>
		<link>http://trombonepoetry.com/chronicle-march-2012/</link>
		<comments>http://trombonepoetry.com/chronicle-march-2012/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 15:37:29 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Chronicle]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=620</guid>
		<description><![CDATA[There was an outbreak of trombone poetry in Jenny Lockyer&#8216;s living room one rainy Saturday night. This was provoked by an invitation, and Jenny launched the evening herself with a few life-enhancing songs, before the trombone bounced the blues off a couple of overpopulated sofas. A short-range show. At the end of the month, trombone [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://trombonepoetry.com/wp-content/ArtPack@DeSantis2.jpg"><img src="http://trombonepoetry.com/wp-content/ArtPack@DeSantis2-211x300.jpg" alt="" title="ArtPack@DeSantis" width="211" height="300" class="alignright size-medium wp-image-623" /></a>There was an outbreak of trombone poetry in <a href="http://www.reverbnation.com/jennylockyer">Jenny Lockyer</a>&#8216;s living room one rainy Saturday night. This was provoked by an invitation, and Jenny launched the evening herself with a few life-enhancing songs, before the trombone <strong>bounced</strong> the blues off a couple of overpopulated sofas. A short-range show.</p>
<p>At the end of the month, trombone poetry reappeared at The Book Club in Shoreditch, for the unsuspecting fans of Paolo Duarte&#8217;s Overground Collective. Large though the band is, they did not outnumber the crowd, and it was a pleasure to recite <em>Vigil Aunty</em>, <em>A Great Deal</em> and other works to the attentive throng, even to that woman with the miserable, glowering stare. The <strong>sparkling</strong> duo of Rachel Musson and Julie Kjaer then lit up the place, if not the face.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
Friday 20 April 18:00</p>
<p>The ART Pack: trombone poetry + ruM (Mike Walter and Paul Taylor&#8217;s free/folk duo) + <a href="http://apeimprov.wordpress.com/2012/04/05/grassy-noel-ape-with-artpack-de-santis-20-04-12/">APE</a> (Grassy Noel, voice, poetry; Paul Shearsmith, pocket trumpet &#038; trombone, fire extinguishers; Mike Walter, saxophones, synth, percussion; Graham MacKeachan, double bass, objects) + free nibbles + topnotch Italian grub</p>
<p>DE SANTIS</p>
<p>11-13 Old Street<br />
London<br />
EC1V 9HL </p>
<p>free admission</p>
<p>020 7689 5577</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
Tuesday 24 April	20:00</p>
<p>trombone poetry + open mic, presented by Carl Chamberlain</p>
<p>SING FOR YOUR SUPPER</p>
<p>The Queen&#8217;s Head<br />
144 Stockwell Rd<br />
London<br />
SW9 9TQ</p>
<p>free admission</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
Wednesday 25 April	20:00</p>
<p>trombone poetry + <a href="http://www.facebook.com/jericoorchestra">Jerico Orchestra</a><br />
<a href="http://www.thegeorgetavern.co.uk"><br />
THE GEORGE TAVERN</a></p>
<p>373 Commercial Rd<br />
London<br />
E1 0LA</p>
<p>free admission</p>
<p>020 7790 7335</p>
<p>http://www.facebook.com/jericoorchestra</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
Saturday 28 April 12:00 &#8211; 02:00 (i.e. noon till 2am)</p>
<p><strong>CANCELLED DUE TO CLOSURE OF PUB!</strong></p>
<p>trombone poetry + <a href="http://www.aldlife.org/">sundry turns</a></p>
<p>THE IVY HOUSE</p>
<p>40 Stuart Road<br />
London<br />
SE15 4BE</p>
<p>020 7358 2778</p>
<p>Fundraising event. Trombone poetry onstage at about 13:00. </p>
<p><a href="http://www.aldlife.org/">ALD Life</a> is a patients’ support group working with patients and families with a diagnosis of Adrenoleukodystrophy – ALD or Adrenomyeloneruropathy – AMN, which are two rare genetic conditions.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
Sunday 29 April 19:00</p>
<p>trombone poetry + Keen/Osgerby Trio</p>
<p>LUNA LOUNGE</p>
<p>7 Church Lane<br />
London<br />
E11 1HG </p>
<p>admission: £5/£3</p>
<p>020 8518 7463</p>
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		<title>chronicle: February 2012</title>
		<link>http://trombonepoetry.com/chronicle-february-2012/</link>
		<comments>http://trombonepoetry.com/chronicle-february-2012/#comments</comments>
		<pubDate>Sun, 25 Mar 2012 22:27:41 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Chronicle]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=607</guid>
		<description><![CDATA[Not since the Glue Rooms has trombone poetry been heard at The Amersham Arms in New Cross, so Talking Rhythm&#8216;s invitation to perform in their new niche was especially welcome. Presented by Bernadette Read and John Clarke, the bill included Richard Tyrone Jones, Gary from Leeds and sundry bards, but the highlight was the poetry [...]]]></description>
			<content:encoded><![CDATA[<p>Not since the <em>Glue Rooms</em> has trombone poetry been heard at The Amersham Arms in New Cross, so <em>Talking Rhythm</em>&#8216;s invitation to perform in their new <strong>niche</strong> was especially welcome. Presented by Bernadette Read and John Clarke, the bill included Richard Tyrone Jones, Gary from Leeds and sundry bards, but the highlight was the poetry of Isabel White: sharp, not coarse; witty, not crowd-pleasing.</p>
<p>The Blowpipes Trombone Trio returned to <em>Freedom of Expression</em> at The Green Dragon, with the proper <strong>crew</strong>, for once: Matthew Benson and Raphael Clarkson. The programme featured a traditional Blowpipes sardana, <em>La Zottlana Ziallera</em>, and the premiere performance of <em>Fantasia</em>, a piece written for us by composer Alan Taylor. (Trombone-friendly musicians are always welcome to write more arrangements or compositions for the Trio.) Roshi Nasehi chanted and enchanted, backed by deftly-prodded electronica from Grahame Dowd.</p>
<p>There was also a short-notice invitation to bring trombone poetry to the <em>Turtle Salon</em>, at the Hardy Tree Gallery, across the road from St Pancras Station. Surrounded by small art works imported from Paris, Nick Cash, on DIY percussion, and Grahame Painting, on guitar, accompanied a series of baffling short films partly projected onto their white <strong>boiler</strong> suits. After an unscheduled duet for trombone and snare-rattle, trombone poetry offered <em>Amazing Things</em>, <em>Pancrasm</em> and <em>An Impressive Display</em>. A turtle coincidentally poked his head out of a poem.</p>
<p>Pete Williams&#8217; album-launch tour was triumphant. Catch up here: <a href="http://petewilliamsmusic.com">http://petewilliamsmusic.com</a></p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<br />
Wednesday 28 March 21:00</p>
<p>trombone poetry + The Overground Collective + Rachel Musson / Julie Kjaer duo</p>
<p><a href="http://www.wearetbc.com">THE BOOK CLUB</a></p>
<p>100 Leonard Street<br />
London EC2A 4RH</p>
<p><a href="http://www.facebook.com/events/197982590310122/">http://www.facebook.com/events/197982590310122/</a></p>
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		<title>chronicle: January 2012</title>
		<link>http://trombonepoetry.com/chronicle-january-2012/</link>
		<comments>http://trombonepoetry.com/chronicle-january-2012/#comments</comments>
		<pubDate>Sat, 11 Feb 2012 17:36:40 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Chronicle]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=566</guid>
		<description><![CDATA[Although his free-jazz blart-frenzy, The Near Jazz Experience, is perhaps not a racing certainty as a romance-kindler on next week&#8217;s Valentine&#8217;s Day there, Terry Edwards easily banished any January gloom at the hallowed Indo Bar in Whitechapel. The poetry of doomed liaisons and scrambled newspapers was frisbeed over the pizzas and Weissbier by trombone poetry, [...]]]></description>
			<content:encoded><![CDATA[<p>Although his free-jazz blart-frenzy, <em>The Near Jazz Experience</em>, is perhaps not a racing certainty as a romance-kindler on next week&#8217;s Valentine&#8217;s Day there, Terry Edwards easily banished any January gloom at the hallowed Indo Bar in Whitechapel. The poetry of doomed liaisons and <strong>scrambled</strong> newspapers was frisbeed over the pizzas and Weissbier by trombone poetry, with the trombone also invited again to step into the <em>NJE</em> vortex.</p>
<p>At Lurca&#8217;s birthday party &#8220;self-indulgent cabaret&#8221;, we had a <strong>flutter</strong> of Hawkwind from Richard Sanderson, the roaring tuba of Oren Marshall, spontaneous trombone poetry compositions such as What <em>The Beetle Had For Breakfast</em> and, girded by a herd, a hurdy-gurdy.</p>
<p>In the secular, beer-selling bit of The Union Chapel, the Upper Hall, Park Road Pilot put on another packed charity-funding arts event, wherein trombone poetry recited <em>Punch</em>, written about a <strong>ruined</strong> reading at Lurca&#8217;s bash, plus a few blues-fuelled inventions. The mellifluous Roshi Nasehi got herself into loops, and someone treated us to spoken chatroom obscenity tedium.</p>
<p>The outnumbered punters at the Vibe Gallery&#8217;s poetry open mic were warmed by a <strong>sarangi</strong> recital, before the poetry was let loose. Nice vibe, shame about the art.</p>
<p>In Stoke Newington&#8217;s former snooker hall, The Others, trombone poetry was invited to collaborate again with Paulo Duarte&#8217;s illustrious <em>Overground Collective</em>, getting the ball rolling with plunger-mute preludes and poems like <em>Shaky Ground</em> and <em>The Magic Chair</em>. There followed a <strong>stunning</strong> improvised duet by Rachel Musson and Julie Kjaer before the Collective took over.</p>
<p>The month tumbled to a finish at Freedom of Expression in Croydon, where <a href="http://trombonepoetry.com/events/bands/the-art-pack/">The ART Pack</a> was ceremonially launched with the swing of a brown <strong>ale</strong> bottle at the wrong end of The Green Dragon. Paul Shearsmith, wielding a pBone, duelled with this trombone, followed by a burst of trombone poetry, a ration of <a href="http://trombonepoetry.com/events/bands/rum/">ruM</a>, and an outcry of <a href="http://apeimprov.wordpress.com">APE</a>. That&#8217;s ART, that is.</p>
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<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
Monday 13 February 19:45</p>
<p>trombone poetry + Richard Tyrone Jones + Katrina Naomi + Bernadette Reed + John Clarke + open mic</p>
<p>TALKING RHYTHM!</p>
<p>The Amersham Arms<br />
388 New Cross Road<br />
London<br />
SE14 6TY</p>
<p>free admission</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
Tuesday 14 February 20:00</p>
<p><a href="http://trombonepoetry.com/events/bands/blowpipes/">The Blowpipes Trombone Trio</a> + Roshi Nasehi + open mic</p>
<p><a href="http://www.freedomexpression.co.uk">FREEDOM OF EXPRESSION</a></p>
<p>The Green Dragon<br />
58-60 High Street<br />
Croydon<br />
CR0 1NA</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br />
<a href="http://trombonepoetry.com/wp-content/pwsee.jpg"><img class="alignright size-medium wp-image-446" title="Pete Williams: See" src="http://trombonepoetry.com/wp-content/pwsee-300x275.jpg" alt="" width="300" height="275" /></a>The trombone will be out and about with <a href="http://trombonepoetry.com/events/bands/pete-williams/">Pete Williams</a>&#8216; band this month, to launch the new album, &#8220;See&#8221;. See:</p>
<p>Monday 20 February</p>
<p><a href="http://www.thelexington.co.uk/event?id=1449">The Lexington</a><br />
96-98 Pentonville Road<br />
London<br />
N1 9JB</p>
<p>Tuesday 21 February</p>
<p><a href="http://www.glee.co.uk/performers/pete-williams.htm">The Glee Club</a><br />
The Arcadian Centre<br />
Birmingham<br />
B5 4TD</p>
<p>Tuesday 28 February</p>
<p><a href="http://www.mygreystones.co.uk">The Greystones</a><br />
Greystones Road<br />
Sheffield<br />
S11 7BS</p>
<p>Wednesday 29 February</p>
<p><a href="http://thedeafinstitute.co.uk/calendar.php?y=2012&amp;m=02&amp;id=1948">The Deaf Institute</a><br />
135 Grosvenor Street<br />
Manchester<br />
M1 7HE</p>
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		<title>chronicle: December 2011</title>
		<link>http://trombonepoetry.com/chronicle-december-2011-2/</link>
		<comments>http://trombonepoetry.com/chronicle-december-2011-2/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 15:07:56 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Chronicle]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=440</guid>
		<description><![CDATA[As December chilled, trombone poetry flew south, although only getting as far as Bromley South, joining forces with Mick Collins&#8217; Modern Jazz Orchestra at the monthly residency. New works included Leave It, a foundling poem extracted from a Caribbean paper, The Sunday Sun. Another expedition was undertaken to Mycenae House in deepest Greenwich, to lob [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://trombonepoetry.com/wp-content/pbone.jpg"><img src="http://trombonepoetry.com/wp-content/pbone-214x300.jpg" alt="" title="pbone" width="214" height="300" class="alignright size-medium wp-image-433" /></a>As December chilled, trombone poetry flew south, although only getting as far as Bromley South, joining forces with <a href="http://trombonepoetry.com/events/bands/mick-collins-modern-jazz-orchestra">Mick Collins&#8217; Modern Jazz Orchestra</a> at the monthly residency. New works included <em>Leave It</em>, a <strong>foundling</strong> poem extracted from a Caribbean paper, The Sunday Sun. </p>
<p>Another expedition was undertaken to Mycenae House in deepest Greenwich, to <strong>lob</strong> poems and several original tunes into the flow of jazz standards at the regular Monday night jam, starring Phil Mead on piano and Dave Silk in a threadbare Santa outfit with a double bass made out of chocolate fingers. Humbug.</p>
<hr />
Tuesday 17 January	20:00</p>
<p>trombone poetry + Terry Edwards’ Near Jazz Experience + James Smith (DJ Set) + pizza</p>
<p><a href="http://www.facebook.com/events/222440494505560/">INDO BAR</a></p>
<p>133 Whitechapel Road<br />
London E1 1DT</p>
<p>free admission</p>
<p>020 7247 4926</p>
<hr />
Saturday 21 January		20:00</p>
<p>trombone poetry + Roshi Nasehi + Ezat Luba Yomtovian + Josephine Dyer + Somaye + DJ Enri </p>
<p><a href="http://www.parkroadpilot.org" class="broken_link">PARK ROAD PILOT</a></p>
<p><a href="http://www.unionchapel.org.uk/pages/upper_hall.html">The Union Chapel (Upper Hall)</a><br />
Compton Terrace<br />
London N1 2UN</p>
<p>admission: £6</p>
<p>020 7226 1686</p>
<p>Proceeds go to <a href="http://www.thinkingdevelopment.org">Thinking Development</a>, a partnership of Haitian community groups and a London-based volunteer design team. They are designing a multi-functional and sustainable primary school complex for over 1,200 Haitian girls. The group is also documenting the process in short films so that Haitians can have their voices heard and people everywhere can follow and learn from their work. The design and documentation process is entirely volunteer-run, meaning that all funds go directly into minimal project expenses and the building fund. </p>
<hr />
Wednesday 25 January	19:00</p>
<p>trombone poetry + poetry open mic</p>
<p><a href="http://www.facebook.com/vibegallerylondon">VIBE GALLERY</a></p>
<p>100 Clements Road<br />
London SE16 4DG</p>
<p>free admission</p>
<hr />
Thursday 26 January	20:00	</p>
<p>trombone poetry + The Overground Collective</p>
<p><a href="http://theothers.uk.com">THE OTHERS</a></p>
<p>6-8 Manor Road<br />
Stoke Newington<br />
London<br />
N16 5SA</p>
<hr />
SUNDAY EXTRAS</p>
<p>Sunday 29 January	14:00</p>
<p><a href="http://trombonepoetry.com/events/bands/vintage-tea-dance-orchestra">The Vintage Tea Dance Orchestra</a> + Sunday roast</p>
<p>SUNDAY LUNCH TONGUE</p>
<p>The Ivy House<br />
40 Stuart Road<br />
London SE15</p>
<p>free admission</p>
<hr />
Sunday 29 January	19:00</p>
<p><a href="http://trombonepoetry.com/events/bands/yiddish-twist-orchestra">Yiddish Twist Orchestra</a></p>
<p><a href="http://www.richmix.org.uk/whats-on/event/yiddish-twist-orchestra/">SNAPSHOTS FESTIVAL</a></p>
<p>Rich Mix<br />
35-47 Bethnal Green Road<br />
London E1 6LA</p>
<p>free admission</p>
<hr />
Tuesday 31 January	20:00</p>
<p><a href="http://apeimprov.wordpress.com">APE</a> (Grassy Noel, voice, poetry; Paul Shearsmith, pocket trumpet &#038; trombone, fire extinguishers; Mike Walter, saxophones, synth, percussion; Graham MacKeachan, double bass, objects)</p>
<p>+ <a href="http://trombonepoetry.com/events/bands/rum">ruM</a> (Mike Walter, Paul Taylor) </p>
<p>+ trombone poetry: </p>
<p><a href="http://trombonepoetry.com/events/bands/the-art-pack/">The ART Pack</a></p>
<p>+ open mic</p>
<p><a href="http://freedomexpression.co.uk">FREEDOM OF EXPRESSION</a></p>
<p>The Green Dragon<br />
58-60 High Street<br />
Croydon<br />
CR0 1NA</p>
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		<title>chronicle: October/November 2011</title>
		<link>http://trombonepoetry.com/chronicle-octobernovember-2011/</link>
		<comments>http://trombonepoetry.com/chronicle-octobernovember-2011/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 00:09:28 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Chronicle]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=416</guid>
		<description><![CDATA[Some dark upset in the laptop&#8217;s innards prevented the publication of the October chronicle and November dates, and this bulletin is hardly timely either. We persevere. All these chronicles are posted and archived on the site/blog, and there are plans to write a lot more blog posts in the New Year, while keeping the mail-out [...]]]></description>
			<content:encoded><![CDATA[<p>Some dark upset in the laptop&#8217;s innards prevented the publication of the October chronicle and November dates, and this bulletin is hardly timely either. We persevere.</p>
<p>All these chronicles are posted and archived on the site/blog, and there are plans to write a lot more blog posts in the New Year, while keeping the mail-out monthly. Blog entries, in turn, are synch&#8217;ed with the <a href="http://www.facebook.com/trombonepoetry">Farcebook Page</a>, which you are invited to &#8220;like&#8221;.</p>
<p>The duo, <strong>ruM</strong>, unleashed more folk music and free improv in the nether regions of The Green Dragon in Croydon, enhanced by a West Country <strong>dialect</strong> recitation by Mr Mike Walter. Also on the bill was a <em>Freedom Of Expression</em> favourite, Eddie&#8217;s Brother. May his plectrum never wilt.</p>
<p>October&#8217;s adventures came to a finale at <em><a href="http://www.theorchestrapit.com/scaledown73">Scaledown</a></em>, where trombone poetry brandished a fire-engine-red trombone at the Fitzrovian multitude. Sharing the proceedings were Matt Scott&#8217;s Squeezebox Jukebox, the Gipsy guitar stylings of Raymond Shine, and the duo of Mike Adcock and <a href="http://www.sylviahallett.co.uk/">Sylvia Hallett</a>, who wielded a <strong>saw</strong>, in a friendly way.</p>
<p><div id="attachment_419" class="wp-caption alignright" style="width: 310px"><a href="http://trombonepoetry.com/wp-content/tpgeorgetavern.jpg"><img src="http://trombonepoetry.com/wp-content/tpgeorgetavern-300x254.jpg" alt="George Tavern" title="tpgeorgetavern" width="300" height="254" class="size-medium wp-image-419" /></a><p class="wp-caption-text">fork handles sketch</p></div>In November, back in Croydon again, The Green Dragon Waltz was improvised by trombone poetry, along with tunes from <em>Speech</em>, the album.</p>
<p>Out East, <a href="http://trombonepoetry.com/?page_id=358">Jerico Orchestra</a> kindly made space for a trombone poetry set at the George Tavern, which combined new writings and the old Deptford saga, <em>100 Lines for the Centurion</em>.</p>
<p>There are rumours of a wee <strong>tour</strong> next year. Do stay in touch.</p>
<hr />
Monday 5 December        20:30</p>
<p>Mick Collins Big Band + brief trombone poetry set</p>
<p>H G WELLS CENTRE</p>
<p>St. Mark&#8217;s Road<br />
Bromley<br />
BR2 9HG</p>
<p>admission: £6</p>
<hr />
Monday 12 December         20:00</p>
<p>trombone poetry + standards/originals with jazz rhythm section + open mic</p>
<p>MYCENAE HOUSE</p>
<p>90 Mycenae Road<br />
Blackheath<br />
London<br />
SE3 7SE</p>
<p>admission: £5/£3</p>
<p><a href="http://www.jazznights.co.uk">www.jazznights.co.uk</a></p>
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		<title>chronicle: September 2011</title>
		<link>http://trombonepoetry.com/391/</link>
		<comments>http://trombonepoetry.com/391/#comments</comments>
		<pubDate>Tue, 25 Oct 2011 16:48:15 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Chronicle]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=391</guid>
		<description><![CDATA[Just up-river from trombone poetry HQ, over on the North bank of the Thames, are the Hermitage Community Moorings, in Wapping. For the occasion, the floating pier-house became the Hermitage Oral History Café, and hosted a poetry night. Graham Buchan regaled us with locally-inspired poetry, and trombone poetry hove to with a new flotilla of [...]]]></description>
			<content:encoded><![CDATA[<p>Just up-river from trombone poetry HQ, over on the North bank of the Thames, are the <a href="http://www.hcmoorings.org">Hermitage Community Moorings</a>, in Wapping. For the occasion, the floating pier-house became the Hermitage Oral History Café, and hosted a poetry night. Graham Buchan regaled us with locally-inspired poetry, and trombone poetry hove to with a new flotilla of marinet poems written for the event, plus improvised hornpipes. A performance poet over-taxed his memory and sank. Extra rum rations all round.</p>
<p><a href="http://trombonepoetry.com/wp-content/tpsafthames.jpg"><img src="http://trombonepoetry.com/wp-content/tpsafthames-300x225.jpg" alt="trombone poetry/thames festival" title="trombone poetry/thames festival" width="300" height="225" class="alignright size-medium wp-image-392" /></a>The day after, yet further up-river, trombone poetry flew the flag again near London Bridge City Pier for the Thames Festival, courtesy of <a href="http://www.southwarkartsforum.org">Southwark Arts Forum</a>. Khadijatou Doney charmed the crowd; trombone poetry baffled them with a new work made from a dismembered Hebrew/English phrase-book.</p>
<p>No sloop was laid on for the voyage to Margate, but trombone poetry found its way to the venerable <a href="http://www.theatreroyalmargate.com">Theatre Royal</a> for Bubble &#038; Squeak, a cabaret extravaganza in aid of Broadstairs Food Festival. Nigel Burch &#038; The Flea Pit Orchestra set the ball rolling, and trombone poetry weaved in a couple of short sets among The FranTastics, Skip &#8220;Little Axe&#8221; McDonald, Christine Tobin and a crowd-challenging free-jazz blow-out by Trevor Watts and Veryan Weston. Most of the crew were eventually washed up at the bar of the Walpole Bay Hotel.</p>
<hr />
Tuesday 25 October	20;00</p>
<p>ruM + Eddie&#8217;s Brother + Chris Parr + Tom Slatter</p>
<p><a href="http://www.freedomexpression.co.uk">FREEDOM OF EXPRESSION</a></p>
<p>The Green Dragon<br />
58-60 High Street<br />
Croydon<br />
CR0 1NA</p>
<p>admission: free</p>
<hr />
Friday 28 October	19:30</p>
<p>trombone poetry + Matt Scott + Mike Adcock &#038; Sylvia Hallett + Raymond Shine + ?</p>
<p><a href="http://www.theorchestrapit.com/scaledown">SCALEDOWN</a></p>
<p>The King &#038; Queen<br />
1 Foley Street<br />
London<br />
W1W 6DL</p>
<p>admission: free/collection</p>
<hr />
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		<title>chronicle: August 2011</title>
		<link>http://trombonepoetry.com/chronicle-august-2011/</link>
		<comments>http://trombonepoetry.com/chronicle-august-2011/#comments</comments>
		<pubDate>Thu, 08 Sep 2011 00:16:43 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Chronicle]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=289</guid>
		<description><![CDATA[On a stage under the wing of a giant heron mural, the Dead Space Festival filled a void in a street off Brick Lane with bands and bards. New poems such as Uncertain Underground and Contrary Motion were offered up, plus some kind of Brick Lane Tango. Sadly, this great little festival was apparently snuffed [...]]]></description>
			<content:encoded><![CDATA[<p>On a stage under the wing of a giant <strong>heron</strong> mural, the <a href="http://www.dead-spaceblog.com/">Dead Space Festival</a> filled a void in a street off Brick Lane with bands and bards. New poems such as <em>Uncertain Underground</em> and <em>Contrary Motion</em> were offered up, plus some kind of <em>Brick Lane Tango</em>. Sadly, this great little festival was apparently snuffed out an hour later, due to belligerent locals who preferred dead space.</p>
<p>Brief sub-cultural aside: in a life happily ungoverned by fashion, it was entertaining to learn that one of the performers had deliberately left the price tag dangling from her cardigan, as a fashion gesture. Though this may still be absent-mindedness in some other sense, it is of course hardly as comical as the old <strong>half-mast</strong> jeans routine, despite the hint of Spike Milligan.</p>
<p><a href="http://trombonepoetry.com/wp-content/ruMcheers1.jpg"><img src="http://trombonepoetry.com/wp-content/ruMcheers1-225x300.jpg" alt="ruM" title="ruM" width="225" height="300" class="alignright size-medium wp-image-293" /></a>At the Beautiful Days Festival in Devon, <strong>ruM</strong> began a recital, on the attractively-named Dirty Davey Stage, to passing punters and a village of tents. Once again, Nobby Hall rubbed shoulders with Albert Ayler, and thousands of adoring music-lovers abandoned the main stage en masse, to dance, cheer and swoon at our feet.</p>
<p>By the time trombone poetry appeared on stage later on, the vast crowd had been <strong>herded</strong> away again by a man with a sheep dog and a pointed stick.</p>
<p>Clapham Common Bandstand: London&#8217;s top Latin bands, La Clave and Roberto Pla&#8217;s Latin Ensemble play a set each on a glorious Sunday afternoon. But that was then, the early 1990s. In 2010, <strong>The Blowpipes Trombone Trio</strong> play two sets, for the same individual fees. Go figure.</p>
<p>At The Queen&#8217;s Head, a gem of a boozer near Kings Cross, trombone poetry was the guest of the <em>Horseless Headmen</em>, Grahame Painting&#8217;s new quartet with Roland Bates, Nick Cash and Ivor Kallin. After the band&#8217;s intricately improvised first set, the audience suddenly <strong>vanished</strong> (even before the trombone was visible, thanks) leaving only a seemingly keen couple to listen to the trombone poetry set, who then played chess instead, with the bloke commentating on it like a barking seal. When the barman had a gentle word, they too promptly left, leaving behind them an abandoned game and the whiff of kippers.</p>
<hr />
Friday 9 September    19:00</p>
<p>trombone poetry + other poetry</p>
<p>HERMITAGE ORAL HISTORY CAFE</p>
<p>Poetry night at Hermitage, on the Thames. Poets perform work about history, memory, and rivers.</p>
<p>Hermitage Community Moorings<br />
16 Wapping High Street<br />
London<br />
E1W 1NG</p>
<p>vik@hrprojects.org</p>
<hr />
Saturday 10 September    12:00-20:00</p>
<p>trombone poetry (at 15:00) + Khadijatou Doney + Slo’burn + Steve Barbe + ?</p>
<p>THAMES FESTIVAL</p>
<p>Southwark Arts Forum stage<br />
Queens Walk<br />
London Bridge City Pier<br />
SE1</p>
<hr />
Friday 23 September     19:30</p>
<p>trombone poetry + Nigel Burch &amp; The Flea Pit Orchestra + The FranTastics + Skip &#8220;Little Axe&#8221; McDonald + Christine Tobin + Trevor Watts &amp; Veryan Weston</p>
<p>BUBBLE &amp; SQUEAK</p>
<p>Broadstairs Food Festival</p>
<p>Theatre Royal<br />
Addington Street<br />
Margate<br />
Kent<br />
CT9 1PW</p>
<p>01843 293877<br />
<a href="http://www.theatreroyalmargate.com">www.theatreroyalmargate.com</a></p>
<p>admission: £10 advance / £12 door</p>
<hr />
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		<title>chronicle: July 2011</title>
		<link>http://trombonepoetry.com/chronicle-july-2011/</link>
		<comments>http://trombonepoetry.com/chronicle-july-2011/#comments</comments>
		<pubDate>Thu, 11 Aug 2011 23:05:43 +0000</pubDate>
		<dc:creator>Paul Taylor</dc:creator>
				<category><![CDATA[Chronicle]]></category>

		<guid isPermaLink="false">http://trombonepoetry.com/?p=278</guid>
		<description><![CDATA[In Richmond, it was only an unseemly dribble of muzak that had to be staunched, no-one else seeming to mind enough. The Holloway Road gig was enlivened by the hefting through the recital of giant plates of steaming chips, destined to mute the babble of a sports team conveniently parked a mere hockey stick away [...]]]></description>
			<content:encoded><![CDATA[<p>In Richmond, it was only an unseemly dribble of muzak that had to be staunched, no-one else seeming to mind enough. The Holloway Road gig was enlivened by the hefting through the recital of giant plates of steaming <strong>chips</strong>, destined to mute the babble of a sports team conveniently parked a mere hockey stick away from the stage.</p>
<p>A confusion of opposites: Holloway open to passing van-loads of athletes, Richmond secretively abandoning a would-be audience downstairs to the oblivious <strong>mercies</strong> of the bartenders. There was fine poetry to be had, though, for those who could sniff out <em>Sweet Thursday</em>. </p>
<p>In Croydon, the free/folk laboratory known as <em>ruM</em> edged ever nearer to its own specific levity of poise and upset, even without feathered trilbies. This piquant starter preceded the main <strong>nosebag</strong>: some kind of lunar clipclopera headed for the hems of the Edinburgh Festival. Bring back Mr. Ed.</p>
<p>The Blowpipes Trombone Trio <strong>rattled</strong> the conservatory of that Bethnal Green gem, the Café Gallery, for a Friday jazz session with added poetry. We hope to be allowed a pizza next time.</p>
<p><a href="http://trombonepoetry.com/wp-content/indo.jpg"><img src="http://trombonepoetry.com/wp-content/indo-300x224.jpg" alt="Indo" title="Indo" width="300" height="224" class="alignright size-medium wp-image-280" /></a>They will surely not equal the <strong>famed</strong> pizzas of Indo.</p>
<p>It was the <em>Dead of Nit</em>. In Whitechapel&#8217;s <em>Indo Bar</em>, trombone poetry enjoyed another night of inspirations, inventions and circlish delights, with added <strong>skirmishes</strong> on a couple of <em>Nitwood</em> numbers.</p>
<p>The Blowpipes ventured into the wilds of Myatt&#8217;s Fields to woo the natives with a snippet of Stravinsky and a jam on <em>Blueberry Hill</em>. All this on a proper bandstand: deckchairs, ice cream, sunstroke and so forth.</p>
<p>In somewhat less bucolic Hoxton, trombone poetry joined forces with the <a href="http://www.facebook.com/jerico.ork">Jerico Orchestra</a>, at <a href="http://www.charliewrights.com">Charlie Wright&#8217;s International Bar</a>. This free-improvising ensemble, featuring such <strong>luminaries</strong> as saxist Bob Peachey and the well-sprung Adam Bohman, is enjoying a last-Monday residency.</p>
<p>The month was rounded off with a summer fair at <a href="http://www.stmargaretshouse.org.uk">St Margaret&#8217;s House</a>. All music in the trombone poetry set was accompanied by a young man called Myles, on his first gig, brandishing bells, finger cymbals and an <strong>egg</strong> shaker. A lovely start to finish with.</p>
<hr />
Saturday 13 August 	13:00 &#8211; 23:00 (sets at 13:45, 16:00)</p>
<p>trombone poetry + sundry turns</p>
<p>DEAD SPACE FESTIVAL</p>
<p>124 Brick Lane<br />
London<br />
E1 6RL</p>
<p>http://www.facebook.com/DeadSpaceFest</p>
<p>admission: £10</p>
<hr />
Friday 19 August	(sets at 16:15 / 18:15)</p>
<p>ruM + trombone poetry + umpteen bands</p>
<p>BEAUTIFUL DAYS FESTIVAL</p>
<p>Dirty Davey stage</p>
<p>Escot Park<br />
Nr Fairmile<br />
Devon<br />
EX11 1LU</p>
<p>http://www.beautifuldays.org</p>
<hr />
Sunday 21 August	15:00 &#8211; 16:30</p>
<p>The Blowpipes</p>
<p>CLAPHAM COMMON BANDSTAND</p>
<p>http://www.facebook.com/blowpipes</p>
<hr />
Sunday 28 August	18:30</p>
<p>trombone poetry + Neptune is Mars (Grahame Painting, cello; Roland Bates, piano, Nick Cash, drums) + Noel Taylor, Niko Meinhold, Satoko Fukuda, Guillaume Viltard </p>
<p>THE QUEEN&#8217;S HEAD</p>
<p>66 Acton St<br />
London<br />
WC1X 9NB</p>
<hr />
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