| trombonepoetry revives bardic outlandishness making poems a bebop blow-out outstripping a normal limping expressionless performance of obscurantic or effete blather turning tables realigning the yesterday mind |
trombonepoetry revels in curt obsequent free music suddenly billowing into otherwise dull nights hearing endless verses purportedly in oracular style except for the troubling fact rows of people yawn endlessly |
trombonepoetry ransacks books of melodies to merge modes in bacchic blasts of celebration navigating new expanses every poem a mapping of possibility every invented tune an argosy re-jigged as a yacht of words |
| trombonepoetry reaches for an opportunity to mix sounds and bring together online or live new poems plus extemporary or prepared music opening up the exploration of thelonious art rebetika riffs yardbird songs |
trombonepoetry relishes music owlishly hoots melancholy and brass brazenly open heartedly newly mintedly evergreeningly plays on poems of indigo mood ellingtoning a tale of hunger reconstructing younger tempos |
trombonepoetry riffs and rags overtones with muted meanings broadside digs or hatchet job neatly beating esoteric fancy poultry geists on broken eggs excavating all the numbskulls rattling dusty yarns to beats |
This concrete poem (an acrostic kneptune) has been included in an anthology from Salt Publishing: Troubles Swapped for Something Fresh, Manifestos and Unmanifestos, edited by Rupert Loydell.
